I sat in one of my favourite LA haunts doing nothing in particular a couple of days ago. It has been an unusual few weeks; discordancy has been the Lord of Misrule.
All in Art
I sat in one of my favourite LA haunts doing nothing in particular a couple of days ago. It has been an unusual few weeks; discordancy has been the Lord of Misrule.
Resting for a little longer in the land of in between, the time has found us thinking, talking and reading this week.
There are rumblings of change in our existence here which have grown loud enough to be considered imminent in the last few days. Packing boxes and tape are stacked up by the front door and it looks like our dog will have a new park to explore very soon. I awoke this morning to that familiar feeling of a fresh beginning waiting impatiently in the wings for the next act while the stage sets of scenes gone by are removed.
We just did that rare thing that parents do occasionally; we took a weekend away to ourselves in celebration of our seventeenth wedding anniversary, abandoning the children to the care of a beloved babysitter. It’s always the onrush of stillness that surprises me at first. Having reached our destination, we both sit and look at one another quizzically; what to do first when there’s nothing that really must be done at all?
I paid my first visit to the Getty Villa last week. It’s one of those quintessential Los Angeles locales that I have meaning to see for a while. For one reason or another, maybe its location- with the intimidating right turn straight off Pacific Coast Highway- maybe the simple fear of disappointment, I’d avoided it for longer than I should have. The crowds can be overwhelming during the busiest periods and so I booked my entrance for the earliest slot of the morning. As I walked from the car park to the museum entrance I was transported into another world.
Sitting on a train heading away from London, my thoughts move with the rhythm of the rails and images from the past week flash before my eyes. I am never prepared for the experience of being back in this city; somehow it always takes hold of my heart and teaches me something new, even when I think that I have nothing left to learn.
We took the dog to the beach on July 4th. With the sound of the ocean roaring in our ears, the salt tang of the sea water floating on the air and the endless blue in every direction, it was easy to feel as though we were floating off the edge of the world toward a new and distant horizon. I often think about the celestial music of the spheres when I’m sitting wave gazing; the sounds so refined and beautiful that our human ears can not detect them. Sitting by the water at the edge of clear blue open space one feels closer these sounds somehow.
We sat down to watch Somewhere last night. It’s one of Sofia Coppola’s movies, released in 2010. I came across it recently when I was researching Jacques Demy’s first English language film Model Shop (1969) which featured in the documentary Echo in the Canyon. I have seen a couple of Sofia’s movies, Lost in Translation and Marie Antoinette and loved both of them.
There’s a painting I’ve loved for a long time now. It depicts scenes from the life of the Cyclops, the famous one eyed monster of Greek mythology. I first discovered it completely by chance a few years ago when searching on the internet for something or other. Ah the wonders of google! You can see a photograph of it above this piece. It was in fact one of several wall murals that were discovered during the excavation of the Augustan Villa at Boscotrecase in Italy.
It’s a particularly beautiful time of year in our Los Angeles neighbourhood; the flowers of the Jacaranda tree are blooming everywhere. We were walking the dog yesterday and the fallen purple blossoms which lay strewn upon the sidewalks glowed almost luminescent in the fading evening light
I’ve discovered a new children’s illustrator recently. Her name is Kinyuko Craft and her creations are exquisite. My daughter is discovering the magic of fairy tales and reading these wonderful stories accompanied by such a depth of visual wonder is a beautiful experience.
We watched the Holiday one evening last week during the strange period that is the hiatus between Christmas and New Year. I’d seen this movie at least twice before but was spurred to watch it again after a conversation with my sister who commented that she had particularly liked the character of Arthur, the octogenarian screenwriter, played by Eli Wallach. So, when I settled down with my husband and teenage son for an evening viewing, it was to Arthur’s story that I paid particular attention.